artwork acquisition

EXPO Chicago - A Week In Review

Gladys Nilsson at Garth Greenan Gallery’s booth at EXPO Chicago

Gladys Nilsson at Garth Greenan Gallery’s booth at EXPO Chicago

We are still recovering from a busy September here in the office. The end of the year is always a race, but the addition of Chicago's premiere art fair, Expo Chicago, always makes things that much more exciting. Art fairs are a great opportunity for art consultants to take in an extensive array of artwork from a vast network of national and international galleries in a relatively short amount of time. Additionally, we welcome any opportunity to see art in person and connect with its makers and purveyors, making this close-to-home option a must on our list.

WHAT IS VERNISSAGE?

DeGroot Fine Art at Vernissage

DeGroot Fine Art at Vernissage

The art season in Chicago opens in early September with many top-notch shows in the galleries around town leading up to the night of Expo Chicago or “Vernissage” as it is referred to in their programming. This term simply means a private viewing of paintings before public exhibition. This event is heavily attended, and the people-watching is as interesting as the artwork. That said, it is hard to fully perceive what is being exhibited behind the throngs of people, so it is important to strategize how and when you will be best able to take things in.

PROFESSIONAL PREVIEW

Every year I make sure to attend the professional preview before the fair opens for Vernissage. During this time I was able to take some quick snapshot reminders with my camera and write notes down of those pieces of particular interest. I use these notes to flag and quickly communicate artwork options for our private and corporate clients and get a head-start on any acquisitions. This year, I was focused on new prints, potential acquisitions for two different homes in Evanston and Lincoln Park, and executive level artwork for corporate clients.

Alex Katz at Richard Gray Gallery’s booth at EXPO

Alex Katz at Richard Gray Gallery’s booth at EXPO

PRIVATE TOURS FOR CLIENTS

This year DeGroot Fine Art was asked by Expo Chicago to give a private tour for the Northern Trust V.I.P. guests the morning before the fair opened to the public. Our Project Manager, Julia Sobieraj, donned a microphone headset and toured through the fair with a group of about 25 executives, highlighting artwork from locally relevant artists of note, including: Gladys Nilsson, Alex Katz, Judy Ledgerwood, Celeste Rapone, and Stephen Eichhorn. We were honored to be included in their programming and welcomed the chance to meet individuals with a mutual interest in fine art. 

After the tour, there was plenty of time the rest of the weekend to slowly take in the fair's offerings. We always plan to review any fair at least twice, as observing so much can be overwhelming at first. It is always advantageous to use fresh eyes in another round the bend. To see more of our top picks from this fair, check out our Aesthetics page on the website for the affiliated post. We are often tasked with being the eyes and ears of our clients for fairs such as Expo Chicago, but in addition to this service and offering exclusive invitations to our clientele, we also walk individuals around at their request to personally guide their experience custom to their interests.

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All About Printmaking

The art of printmaking is comprised of a variety of techniques and materials and has ancient roots in many cultures. A discipline central to the history of art as well as contemporary art, we encounter fine art prints in many--if not most--of our clients' corporate and private collections, and we often get questions about the types, care and terminology surrounding the field of printmaking. While printmaking is an incredibly historic, diverse and deep field of study that can't be summarized in one blog post, here are some responses and resources addressing just a few of the questions we receive the most. 

What is a print? 

The Tate Modern website defines a print as "...an impression made by any method involving transfer from one surface to another." The image is created when ink is transferred onto paper, cloth, or another surface using one of a variety of materials and methods. A printed impression can be unique (monoprint/ monotype) or part of a limited edition of prints. 

https://www.tate.org.uk/art/art-terms/p/print

What types of prints are there? 

Printmakers use many techniques and often combine techniques to achieve their desired impression. The most common types of printing techniques we encounter are Lithography, Intaglio, Relief, Screenprinting and Digital printing. Within these broad categories are a plethora of techniques and materials. 

You can find some great explanations and examples of different printmaking techniques here: http://www.paceprints.com/techniques

Is a print a reproduction or an original work of art?

Fine art prints are original works of art created using methods and techniques of printmaking. A limited edition results from an artist using the same plate or block to create multiple identical impressions of the same image, and each impression is recorded with an edition number.  

A print is not a reproduction of an existing painting or drawing. 

How should I display or store my print? 

Because many prints are printed with ink on paper, great care should be taken in storing and displaying prints. To prevent common conservation issues such as paper deterioration, discoloration, buckling and fading, prints should always be stored and displayed in archival, acid-free materials, with protection from excess humidity and ultraviolet light. Learn more about our recommendations for storing and displaying artwork here.

What do the numbers and markings on my print mean?

Along with signing and titling their prints, artists mark their prints in pencil with an edition number. Prints are labeled with the impression number and a slash indicating the total number of prints in the edition (ie. 5/10). There are other markings designating the type of impression in an edition, such as A/P (Artist's Proof), B.A.T (Bon a Tirer) or T/P (Trial Proof).

Here is a helpful link explaining different conventions artists use to label a print as well as common printmaking terminology. https://www.nga.gov/gemini/glossary.htm

Happy collecting! 

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