At the start of the New Year, Brontë joined the DeGroot Fine Art team as a Project Assistant, focusing on marketing for new projects. Here’s how Brontë came to the art world and our company:
In 2010, Chinese conceptual artist Ai Weiwei unveiled a new installation at Tate Modern in London. The installation, Kui Hua Zi, spread 100 million porcelain sunflower seeds over the floor of a single gallery. Each seed–every one of the hundred million–was shaped, fired, and painted by hand. It took over a thousand workers in a Chinese town more than two years to produce all of the seeds.
And there I was, 17 years old and standing in front of all of those seeds, the first time I set foot in an art museum. If I had scooped up a hundred of the porcelain seeds in my hands, I would have held more seeds than there were people in my hometown in rural Wisconsin. Another handful and that would probably be more than all of the people I had met in my life.
After years of cornfields and football, I did not know what to do with myself in a bustling foreign city. But then I found subways, coffee shops, bookstores, and–mostly importantly–all of the free art museums in the city. Even at seventeen, I knew I wanted to spend the rest of my life around art.
I returned to the states to go to college at the University of Wisconsin-Madison. As a freshman, I was hired as an assistant to the Curator of Prints, Drawings, and Photographs at the Chazen Museum of Art. One of my first days at the museum, I was tasked with helping reframe a six-foot-long ink drawing by another famed Chinese artist, Xu Bing. I am proud to say that I didn't buckle under the high pressure and have been professionally handling art ever since.
During my time at University of Wisconsin-Madison, I specialized in Victorian art history and literature, writing my thesis on nineteenth-century paintings of mermaids and Darwinian theories of evolution–but also wrote for the school newspaper and worked as an editor at the campus magazine. In 2014, I was awarded a Beinecke Scholarship to study at the graduate school of my choice. I decided to leave academia and pursue journalism, to help share stories of art and culture to as many people as I could.
In 2017, I received my Masters in New Arts Journalism from School of the Art Institute of Chicago (SAIC). During graduate school, I worked in the school's Marketing & Communications department and was also asked to assistant teach a class on contemporary art history. Even though the art I knew best was made before the Titanic sank, I threw myself into the world of modern and contemporary art–and even started working as a studio manager for a Chicago-based artist.
During graduate school, I focused on audio production and storytelling. In addition to my work as a freelance audio producer, I have worked as a production & recording assistant for the Art Institute of Chicago and recently joined the faculty at School of the Art Institute of Chicago, teaching podcasting and video essays.
I am thrilled to be able to merge my background in both fine art and journalism in my new role as Project Assistant at DeGroot Fine Art. I look forward to sharing more stories from the world of art consulting with our clients and anyone interested in collecting, preserving, and supporting fine art.
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